Yashica t4 35mm code#
Its specs don’t encourage either it features a 3-point infrared autofocus system, a stepless shutter that bottoms out at one second and tops out at 1/700th of a second, a decent EV range of EV 3.5-17, a DX code reader that reads up to ISO 3200, and a decent looking integrated flash that’ll give you that head-on-apply-directly-to-the-forehead look. For anybody who experienced products and design go the late 1990s through the early 2000s, the Yashica T4 will look and feel like everything else made in that era – weirdly bulgy and oddly slippery. The first interesting thing about the Yashica T4 is just how uninteresting it is. And it’s done so for true and honest reasons. After a few weeks with one I’ve found my position hasn’t really changed, but my appreciation for the camera has deepened. When the task of reviewing this camera fell into my lap, I almost did just that. It would then be easy to dismiss the Yashica T4 out-of-hand as an overhyped darling that doesn’t deserve any more consideration than the next 1990s point-and-shoot with a 35mm lens. We know this camera as being capable of a certain look (a e s t h e t i c) and associate it with a very particular kind of photography. The T4 is one of those cameras whose reputation often far eclipses the more salient points of its design, operation, and capability. It’s the Yashica T4.īut do we really know what this camera’s about? I think not. It’s none other than the poster child of the 35mm point-and-shoot inflation bubble, the favorite camera of questionably-motivated fashion photographers the world over (you know who I mean). A price tag that makes hypebeasts and unscrupulous camera flippers alike lick their lips. Hashtagged and upvoted shots of trendy streetwear-covered, moody-looking youngsters. Blown out portraits of swimsuit supermodels.
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